Source – constantinereport.com
– Star Jeremy Renner and producer Scott Stuber talk about Kill the Messenger, their film about Gary Webb, the Pulitzer Prize-winning investigative reporter. Webb uncovered a CIA plot in the 1980s that funneled cocaine into the United States to finance arms purchases and other operations in Central America, then faced a campaign to undermine and deny his work.
Renner and Stuber talk about discovering Webb’s true story at the heart of the movie, which they made for $10.4 million, despite trotting the globe for backdrops.
Messenger’s cast is dotted with other notables, including Robert Patrick, Richard Schiff, Rosemary DeWitt, Gil Bellows and Paz Vega. Michael Kenneth Williams plays Ricky Ross, at one time the single biggest drug dealer in Los Angeles.
The movie was directed by Michael Cuesta from a script by Peter Landesman, based on books by Webb and Nick Schou. It opened in limited release October 10, and is distributed by Focus Features. It has grossed $2.45 million worldwide so far.
Star Jeremy Renner and producer Scott Stuber talk about Kill the Messenger, their film about Gary Webb, the Pulitzer Prize-winning investigative reporter. Webb uncovered a CIA plot in the 1980s that funneled cocaine into the United States to finance arms purchases and other operations in Central America, then faced a campaign to undermine and deny his work.
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REVIEW: Rolling Stone Magazine
Kill the Messenger
In the Internet age of Edward Snowden, Julian Assange and other whistleblowers, Webb’s ink-stained investigative reporter may seem crushingly retro. He shouldn’t. The dark alliances at the heart of Kill the Messenger are alive and well and ever ready to send out digital shock waves. Director Michael Cuesta (Homeland) uses a script by Peter Landesman to create an All the President’s Men vibe of creeping paranoia. It’s not only back-handed CIA threats that rankle this dogged reporter (“We would never hurt your family, Mr. Webb”), it’s jealous media comrades, including those at the Los Angeles Times, the Washington Post, and the New York Times, who work overtime to discredit Webb’s story, partly because they didn’t get it first.
The movie could shed more light on the flaws in Webb’s reporting and the deceits inherent in the CIA reaction. Instead, it hurtles around drumming up tension. Still, when Kill the Messenger stays life-sized and resolutely human, the effect is devastating. The scandals evoked, including Webb’s infidelity, take a toll on the man, his wife (Rosemarie DeWitt, excellent) and their three children, especially the eldest son (Lucas Hedges). Renner’s expressive face becomes a road map that traces Webb’s tragic arc from local hero to national pariah. Flaws aside, Kill the Messenger inspires a moral outrage that feels disconcertingly timely.


